NOTE: FOR SOME REASON THE ELEVATORS WILL ONLY WORK THE SECOND TIME THEY ARE OPERATED, SO BEFORE YOU GO ON IT, SHOOT IT FIRST, THEN LET IT GO ON A RANDOM PATH, THEN WHEN IT RETURNS, GO ON IT AND SHOOT IT AGAIN TO GO IN ITS NORMAL PATH!
THANKS, SEAN.
filefront:
FINAL.
DRAFT2.
DRAFT1.
Google Warehouse Model of Elevator/Table.
CLICK HERE
VERSACE:
The void situated within Versace's space allows for optimal circulation and expresses the structural power implied by the entire form.
Images of the showroom for Versace's products, with monumental elements to emphasise her power. Light fragile components are used to contrast with this and further emphasise the notion of power.
Entrance to the cafe/ informal meeting area is contrapted to intimidate patrons, making Versace (the observer from above) feel godly/dominating amongst them. Reflective surfaces are used, like a strobe light, to make a person feel as though they are being followed by a second self - frightening them and forcing them to lose all sense of power.
The Platform towards Versace's Office, with the slanting walls overlooking employees and consumers walking towards her - illustrating the relationship between power and consumerism
JOBS:
The curving walkway which guides people through Jobs' exhibition space - infusing the idea of manipulation into the building. It makes people feel as though an external force is pushing them through the building.
The monstrous walkway up to the exhibition space - veiling anything that would ruin the suspense provided by the space. This gives Jobs a sense of power as helpless consumers are unable to do anything about it.
Jobs' office is on the rim of the entire structure, acting as a balcony that looks over the whole of his complex. This makes Jobs feel as though he is the god of his microcosm.
MEETING:
The Split branches of the meeting space is used to lead Versace and Jobs to their own complexes. As they provide each persona with their own respective pathways, it gives them a sense of domination as they stomp through each one.
The central meeting space unifies elements of both clients' area and aesthetically balances the space.
Aditional notes on the table:
Smooth form provides a sense of unity betwen the clients. They are almost pulled right into it.
The table itself is short, forcing the clients to collaborate ideas and work together on the same plane rather than being seperated.
EXTERIOR:
Friday, June 20, 2008
Wednesday, June 18, 2008
Tuesday, June 17, 2008
Monday, June 16, 2008
Saturday, June 14, 2008
After a long long time on the first design concept, i realised that their circulation was shit, so here are a few i deas that were drafted as a new concept.
JOBS DRAFT 2
I was so convinced i was gonna use this idea, until i thought of another fucking mad idea.
JOBS DRAFT 3
VERSACE DRAFT 2
I thought the previous space for Versace started to look like a huge rock, and begun to lose its sense of meaning. i got pissed off and made this new space for her office.
JOBS DRAFT 2
I was so convinced i was gonna use this idea, until i thought of another fucking mad idea.
JOBS DRAFT 3
VERSACE DRAFT 2
I thought the previous space for Versace started to look like a huge rock, and begun to lose its sense of meaning. i got pissed off and made this new space for her office.
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